Stage 1 |
The first stage was "drawn" up with a small bristle brush using a mix of Burnt Sienna and Winsor Violet thinned with Liquin which I allowed to dry for the afternoon session when I put in the tonal underpainting using the same paint mix with a rag.
The second stage was the first colour pass on the sky and adding more tone to the building with another coat of Burnt Sienna and Winsor Violet. The picture will be based around a fairly desaturated complementary of yellow and violet. For the sky I used mixes of Ultramarine Violet, Van Dyke Brown, Burnt Sienna, Zinc White and Yellow Lake Deep, mostly Michael Harding paints.
Stage 2 |
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