While I wait for the washes and glazes to dry on "Terri Blue" I thought that I would get on with a painting that is completely different, "La Nebbia" (fog in Italian). In contrast to the rich colours of recent paintings this one will be tonal and desaturated in colour, based on a yellow/violet complementary scheme. Most of the painting will be in desaturated violet greys apart from one yellow light on the wall near the far end of the bridge and it's reflections in the water. It was first "drawn" up in the "black" I had left over from "Terri Blue" in the morning and then a wash thinned with Liquin and turpentine of a mix of Dioxazine Purple, Transparent Maroon and Ultramarine Blue was applied with a rag over the whole canvas in the late afternoon.
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