Ponte San Agostin - stage 3

I finished off the sky by just keeping the thinner paint around the moon and blocking in the rest so that it has a more magical feel to it. Then I painted in the furthest buildings keeping the edges soft and leaving little gaps where the warm underpainting shows through to suggest lights in windows.
In preparation for tomorrow's session I painted in the windows in the other buildings; a lot of them will disappear as I go along but I want them all in at the moment so that I can decide as I go along how many I want to see of them.