A tentative title for the second in a new series of paintings called "Magic Light". The ambiguous light in "Crepuscolo San Polo" has gave me the idea for this new series wherein I hope to transform a relatively ordinary landscape or urban scene into something more mysterious by having an unusual light source within it.
This is the tonal underpainting stage for which I used a mix of Burnt Sienna, Transparent Yellow Oxide and Winsor Violet thinned with Liquin using a small bristle brush and a rag.
Oil on mdf 12" x 12".
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