While I wait for "Naomi Gold" to dry I am getting on with this, a Venetian painting set at dusk with a light at the end of the passage (sotoportego). This one will be about thicker paint and texture, I might even use the palette knife on some areas.
This is the tonal underpainting stage using a mix of Burnt Sienna and Winsor Violet thinned with Liquin.
Oil on mdf 12" x 12".
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