Midnight Keep - stage 2

With a rag I washed in an initial tonal underpainting of a mix of Burnt Sienna and Winsor Violet thinned with Liquin and turpentine. This gives a very rough idea of the lighting design with the lightest areas being the moonlit sky and reflections in the beach at low tide although the shapes won't be so defined in the background as I intend to have banks of fog and cloud lit by the full moon, but generally speaking the area at right of centre will be the lightest. The painting will be based around a red/orange - green/blue complementary colour axis.
I will be away from the studio now until Thursday when I hope to make a start on the sky and block in some more tone in the dark areas.