More of the same today, but the first glaze on the sky was with Phthalocyanine Blue instead of Indanthrene Blue as I might make the sky more Maxfield Parrish than I originally intended as the genre might expect these colours and resonate more with buyers.
I applied a second pass of the Burnt Sienna/Winsor Violet mix to the rest of the painting in readiness for the first pass of transparent blue over it.
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