As this is going to be based around blue I decided to do the rest of the tonal underpainting with a mix of Prussian Blue, Ultramarine Violet and Permanent Orange as I didn't want it to have a lot of warm colour underneath. I have roughed in some preliminary detail with this mix mainly using a flat brush; the tonal underpainting will be finished tomorrow when I paint a blue glaze over the sky and cloud areas... unless I get a chance later this afternoon if the Burnt Sienna/Winsor Violet mix is dry enough.
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