Midnight Keep - stage 3

When I returned to the studio this afternoon I decided to give the whole painting another wash with a rag of Burnt Sienna and Winsor Violet thinned with Liquin and turpentine. It is a moonlight painting so it would be darker with less contrast and I want a warm cast to the whole picture which I hope to achieve by the brown underpainting showing through the top coats of paint. The distant mountains are to appear quite ghostly just being lit by the moonlight - planning to start the sky and mountains tomorrow.