The Exit To San Breta - stage 4

I have painted in the first stage of the sky to get an idea of placement of clouds etc. I will paint in darker clouds tomorrow when it should be ready for the first glaze. I have also added more darks to the tonal underpainting for the landscape and road so we are now getting an idea as to how the finished painting will look. The tonal underpainting used a mix of Burnt Sienna and Manganese Violet thinned with Liquin. The sky has mixes of Lemon Yellow and Kings Blue Light with touches of Prussian Blue and Permanent Orange, the Orange being used to temper the saturation.