Moonlight In The Seraglio - stage 3

Applied some more washes of tone, a mix of Winsor Violet and Burnt Sienna thinned with Liquin and turpentine to all the painting. Something then started to bother me about the composition in the top left corner and I decided I needed to close it off with another curtain as the arches were shooting out that corner in a very bothersome way! My plan is to work within a quite narrow range of colour, with blue/greens in the background and blue/purples in the foreground with a few bits of red here and there.