Midgard - stage 2

I have roughly put in some colour over the whole painting to give me an idea as to where it is going. I am basing it on a yellow/violet complementary colour axis with the lightest part of the picture in the sky at top right as I want to have a strong design structure to it; I am now thinking that I may perhaps need something in the bottom left corner area to balance with the top right. The curl of mist was always planned to be there to give some movement to the picture and to echo the shape of the boat which incidentally I have lengthened a bit. The Eugen Bracht influence should now be coming apparent...